Bob Iger goes from managing Mickey to directing a milk replacement startup as new Perfect Day boardmember

Bob Iger, the chairman and former chief executive at Walt Disney is trading his mouse ears for milk substitutes as the new director of massively funded dairy replacement startup Perfect Day.

Milk substitutes are a $1 trillion category and Perfect Day is angling to be the leader in the market. Iger’s ascension to a director position at the company just affirms that Perfect Day is a big business in the big business of making milk replacements.

Unlike almond milk or soy milk companies, Perfect Day is angling to be a direct replacement for bovine dairy using a protein cultivated from mushrooms.

The move comes as Perfect Day ramps up its development of consumer products on its own and through investments in startups like the Urgent Company. That’s the consumer food company Perfect Day backed to commercialize technologies and create more sustainable food brands.

For Iger, the Perfect Day board represents the first new board seat the longtime entertainment powerbroker has taken since he left Apple.

“Innovation and leadership are both key to world changing ideas,” said Iger, in a statement. “Perfect Day has established both innovation in its use of technology and novel approach to fighting climate change, and clear leadership in building a category with a multi-year head start in the industry they’re helping to build. I’m thrilled to join at this pivotal moment and support the company’s swift growth into new categories and markets.”

Iger joins Perfect Day’s co-founders Ryan Pandya and Perumal Gandhi, and representatives from the company’s international backers and lead investors, Aftab Mathur, from Temasek Holdings, and Patrick Zhang, of Horizons Ventures.

Until yesterday, Perfect Day was the most well-capitalized protein fermentation company focused on dairy in the world. That’s when Impossible Foods, the alternative meat manufacturer which has raised $1.5 billion from investors, unveiled that it, too, was working on a dairy product.

Perfect Day, by contrast, has raised $360 million in total funding to-date.

“We’re thrilled to have Bob Iger join our team, and are confident his tenured operational expertise and visionary leadership style will further help us scale our ambitions,” said Ryan Pandya, the chief executive and co-founder of Perfect Day, in a statement. “We’re focused on rapid commercialization in the U.S. and globally. But we know we can’t do it alone. That’s why we’re excited and humbled to have a proven leader like Bob to help us thoughtfully transform our purpose-driven aspirations into tangible and sustainable impact.”

#bob-iger, #chairman, #consumer-products, #director, #drinks, #food-and-drink, #horizons-ventures, #iger, #impossible-foods, #leader, #milk, #perfect-day, #perumal-gandhi, #ryan-pandya, #tc, #temasek-holdings, #the-walt-disney-company, #united-states, #urgent-company, #walt-disney

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Disney+ UX teardown: Wins, fails and fixes

Disney announced earlier this month that it’s going all-in on streaming media.

As part of this new strategy, the company is undergoing a major reorganisation of its media and entertainment business that will focus on developing productions that will debut on its streaming and broadcast services.

This will include merging the company’s media businesses, ads and distribution, and Disney+ divisions so that they’ll now operate under the same business unit.

As TechCrunch’s Jonathan Shieber reports, Disney’s announcement follows a significant change to its release schedule to address new realities, including a collapsing theatrical release business; production issues; and the runaway success of its Disney+ streaming service — all caused or accelerated by the national failure to effectively address the COVID-19 pandemic.

So what better time than now to give Disney+ the Extra Crunch user experience teardown treatment. With the help of Built for Mars founder and UX expert Peter Ramsey, we highlight some of the things Disney+ gets right and things that should be fixed. They include zero distractions while signing up, “the power of percentages,” and the importance of designing for trackpad, mouse and touch outside of native applications.

Zero distractions while signing up

If the user is trying to complete a very specific task — such as making a payment — don’t distract them. They’re experiencing event-driven behaviour.

The win: Disney have almost entirely removed any kind of distractions when signing up. This includes the header and footer. They want you to stay on-task.

Image Credits: Disney+

Steve O’Hear: This seems like a very easy win but one we don’t see as often as perhaps we should. Am I right that most sign-up flows aren’t this distraction-free and why do you think that is?

Peter Ramsey: Yeah, it’s such an easy win. Sometimes you see sign-up screens that have Google Adwords on it, and I think, “You’re risking the user getting distracted and leaving for what, half a penny?” If I had to guess why more companies don’t utilise this technique, it’s probably just because they don’t want to deal with the technical hassle of hiding a bunch of elements.

The power of percentages

Only use percentages when it makes sense. 80% off sounds like a lot, but 3% doesn’t. Percentages can be a great way of making a discount seem larger than it actually is, but sometimes it can have the reverse effect. This is because people are generally bad at accurately estimating discounts. “What’s 13% off £78?”

The fail: If you sign up to a year of Disney+, then you’re offered 16% free. But 16% of a £60 bundle isn’t easy to calculate in your head — so people guess. And sometimes, their guesses may be less than the actual value of the discount.

The fix: In this instance, it would be far more compelling (and require less mental arithmetic), if it was marketed as “60 days free.” Sixty days is both easy to understand and easy to assign value to.

Image Credits: Disney+

Percentages may be harder to process or evaluate in isolation as an end user but they are easy to compare with each other i.e., we all know 25% off is better than 10% off. Aren’t you advocating obscuring the actual saving in favour of what sounds better on a case-by-case basis and therefore actually working against the end user? Of course I’m playing devils advocate a little here.

So, it’s actually a really complex dilemma, and there’s no “easy” answer — this would probably make a great dinner time conversation. Yes, if you’re offering two discounts, then a percentage may be the easiest way for people to compare them.

#apps, #disney, #entertainment, #media, #netflix, #peter-ramsey, #streaming-media, #tc, #the-walt-disney-company, #ui, #user-experience, #user-interface, #ux

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Verizon adds free Hulu and ESPN+ to some unlimited wireless plans

Verizon and Disney announced this morning that they’re extending and expanding a partnership that gives some Verizon Wireless subscribers access to Disney’s streaming services at no addition charge.

The companies announced last fall that Verizon (which owns TechCrunch) would be offering free Disney+ to unlimited wireless customers, and on an earnings call in February, Disney’s then-CEO Bob Iger said that around 20% of Disney+ subscribers came from Verizon.

More recently, the entertainment giant said that Disney+ had more than 60.5 million subscribers as of August 3. In comparison, Hulu had 35.5 million subscribers at the end of its most recent quarter (June 26), while ESPN+ had 8.5 million subscribers.

With today’s announcement, subscribers to Verizon’s Play More and Get More Unlimited wireless plans will get free access to not just Disney+, but also Hulu and ESPN+. (Plus, Apple Music.) Disney normally charges $12.99 when these three streaming services are purchased together as The Disney Bundle.

“The addition of The Disney Bundle to our agreement with Verizon reinforces our commitment to providing their subscribers with access to high-quality entertainment from Disney+, Hulu and ESPN+,” said Disney’s executive vice president of platform distribution Sean Breen in a statement. “We are always looking for the most advantageous ways for consumers to experience our content and we are pleased to work with Verizon so that they can provide their customers with these appealing new offers.”

 

#disney, #entertainment, #espn, #hulu, #media, #tc, #the-walt-disney-company, #verizon

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‘Mulan’ is coming to Disney+ on September 4, for an additional price of $29.99

Those wondering whether The Walt Disney Company would eventually give up on a traditional theatrical release for “Mulan” now have their answer.

Until now, Disney had repeatedly delayed “Mulan”‘s release due to theatrical closures in the U.S. and around the world, with “Mulan and Christopher Nolan’s “Tenet” expected to be the first big movie releases whenever theaters reopened.

However, with the pandemic showing no real signs of subsiding in the United States, and no clear date for theatrical reopenings in markets like New York and California, Warner Bros. recently announced that “Tenet” will not follow a traditional theatrical release schedule, and instead will open internationally this month before coming to select North American cities on September 3.

And during today’s earnings call, Disney CEO Bob Chapek said that “Mulan” will launch on Disney+ on September 4 as a “premiere access” release in “most Disney+ markets” including the United States and Canada, while also being released theatrically in “certain markets.” It sounds like subscribers will have to pay an additional $29.99 for the film, although Chapek didn’t offer any details about how this will work.

During the call, Chapek also said that as of yesterday, Disney+ has grown to more than 60.5 million paid subscribers.

#disney, #entertainment, #media, #the-walt-disney-company

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Disney+ grows to more than 60.5M subscribers

Disney+ had more than 60.5 million paying subscribers as of yesterday, according to The Walt Disney Company’s CEO Bob Chapek.

Chapek shared the number during a call to discuss the company’s latest earnings report, which covered the company’s most recent quarter ending on June 27. He was essentially offering an update on the 57.5 million paid subscriber figure included in the report, and he said the growth is “far exceeding our initial projections for the service.”

Disney+ launched in November of last year. The company previously announced in April that the service had passed 50 million subscribers. (Those numbers include subscribers acquired through bundling with Hotstar in India, as well as free subscribers through a promotion with TechCrunch’s parent company Verizon.)

The coronavirus pandemic has accelerated growth for some streaming services. Most notably, Netflix added more than 10 million new subscribers in its most recent quarter, bringing its global total to nearly 193 million. As for Disney’s other streaming services, ESPN+ has grown more than 100% year-over-year to 8.5 million subscribers (as of June 26), while Hulu grew 27% to 35.5 million subscribers (3.4 million of them are paying for both video on demand and live TV).

And Disney+ may have gotten an additional bump, thanks to the release of “Hamilton” over the July 4 weekend.

Overall, Disney said revenue for its direct-to-consumer and international division increased 2% year-over-year, to $4.0 billion, while the unit’s operating loss grew from $562 million to $706 million.

Still, streaming likely counts as a relative bright spot compared to many of Disney’s other businesses that have either slowed or paused entirely due to the pandemic. (Parks are gradually reopening, for example.) The company’s total revenue fell 42% YOY to $11.8 billion, and earnings per share for the quarter showed a loss of $2.61.

Update: During the call, Chapek also announced that “Mulan” will be released on Disney+ on September 4, as a “premiere access” title that costs an additional $29.99.

#disney, #disney-plus, #entertainment, #espn, #hulu, #media, #the-walt-disney-company

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Daily Crunch: Disney’s streaming chief departs for TikTok

TikTok enlists a big name from Disney as its new CEO, Walmart is shuttering its Jet e-commerce brand and EasyJet admits to a major data breach.

Here’s your Daily Crunch for May 19, 2020.

1. Disney streaming exec Kevin Mayer becomes TikTok’s new CEO

Mayer’s role involved overseeing Disney’s streaming strategy, including the launch of Disney+ last fall, which has already grown to more than 50 million subscribers. He was also seen as a potential successor to Disney CEO Bob Iger; instead, Disney Parks, Experiences and Products Chairman Bob Chapek was named CEO in a sudden announcement in February.

Mayer was likely an attractive choice to lead TikTok not just because of his streaming success, but also because hiring a high-profile American executive could help address politicians’ security concerns about the app’s Chinese ownership.

2. Walmart says it will discontinue Jet, which it acquired for $3B in 2016

Walmart tried to put a positive spin on the news, saying, “Due to continued strength of the Walmart.com brand, the company will discontinue Jet.com. The acquisition of Jet.com nearly four years ago was critical to accelerating our omni strategy.”

3. EasyJet says 9 million travel records taken in data breach

EasyJet, the U.K.’s largest airline, said hackers have accessed the travel details of 9 million customers. The budget airline said 2,200 customers also had their credit card details accessed in the data breach, but passport records were not accessed.

4. Where these 6 top VCs are investing in cannabis

The results paint a stunning picture of an industry on the verge of breaking away from a market correction. Our six respondents described numerous opportunities for startups and investors, but cautioned that this atmosphere will not last long. (Extra Crunch membership required.)

5. Brex brings on $150M in new cash in case of an ‘extended recession’

Where upstart companies aren’t cutting staff, they are often reducing spend — which is bad news for Brex, since it makes money on purchases made through its startup-tailored corporate card. But co-founder Henrique Dubugras seems largely unbothered on how the pandemic impacts Brex’s future.

6. Popping the hood on Vroom’s IPO filing

Yesterday afternoon, Vroom, an online car buying service, filed to go public. What does a private, car-focused e-commerce company worth $1.5 billion look like under the hood? (Extra Crunch membership required.)

7. Experience marketplace Pollen lays off 69 North America staff, furloughs 34 in UK

Founded in 2014 and previously called Verve, Pollen operates in the influencer or “word-of-mouth” marketing space. The marketplace lets friends or “members” discover and book travel, events and other experiences — and in turn helps promoters use word-of-mouth recommendations to sell tickets.

The Daily Crunch is TechCrunch’s roundup of our biggest and most important stories. If you’d like to get this delivered to your inbox every day at around 9am Pacific, you can subscribe here.

#daily-crunch, #kevin-mayer, #media, #mobile, #social, #the-walt-disney-company, #tiktok

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Disney streaming exec Kevin Mayer becomes TikTok’s new CEO

Kevin Mayer, head of The Walt Disney Company’s direct-to-consumer and international business, is departing to become CEO of TikTok, as well as COO of the popular video app’s parent company ByteDance.

Founder Yiming Zhang will continue to serve as ByteDance CEO, while TikTok President Alex Zhu (formerly the co-founder of the predecessor app Musical.ly) becomes ByteDance’s vice president of product and strategy.

“I’m thrilled to have the opportunity to join the amazing team at ByteDance,” Mayer said in a statement. “Like everyone else, I’ve been impressed watching the company build something incredibly rare in TikTok – a creative, positive online global community – and I’m excited to help lead the next phase of ByteDance’s journey as the company continues to expand its breadth of products across every region of the world.”

The news was first reported by The New York Times and subsequently confirmed in announcements from ByteDance and Disney.

Mayer’s role involved overseeing Disney’s streaming strategy, including the launch of Disney+ last fall, which has already grown to more than 50 million subscribers. He was also seen as a potential successor to Disney CEO Bob Iger; instead, Disney Parks, Experiences and Products Chairman Bob Chapek was named CEO in a sudden announcement in February.

Mayer was likely an attractive choice to lead TikTok not just because of his streaming success, but also because hiring a high-profile American executive could help address politicians’ security concerns about the app’s Chinese ownership.

Over at Disney, Rebecca Campbell (most recently president of Disneyland Resort, who also worked on the Disney+ launch as the company’s president for Europe, Middle East and Africa) is taking over Mayer’s role, while Josh D’Amaro is taking on Chapek’s old job as chairman of Disney parks, experiences and products.

In a statement, Chapek said:

As we look to grow our direct-to-consumer business and continue to expand into new markets, I can think of no one better suited to lead this effort than Rebecca. She is an exceptionally talented and dedicated leader with a wealth of experience in media, operations and international businesses. She played a critical role in the launch of Disney+ globally while overseeing the EMEA region, and her strong business acumen and creative vision will be invaluable in taking our successful and well-established streaming services into the future.

 

#entertainment, #kevin-mayer, #media, #mobile, #social, #the-walt-disney-company, #tiktok

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‘Artemis Fowl’ is skipping theaters for Disney+

With movie theaters largely closed due to the COVID-19 pandemic, Disney is pushing back its slate of upcoming films. And at least one movie won’t be making it into theaters at all, with “Artemis Fowl” heading straight to streaming instead.

The company announced today that the film will debut exclusively on Disney+, and that the release date will be revealed soon.

All of the Hollywood studios are scrambling to adapt to the theatrical closures. NBCUniversal broke the theatrical window by releasing “The Hunt,” “The Invisible Man” and “Emma” as streaming rentals while they were ostensibly still in theaters, and it will release “Trolls World Tour” digitally on April 10 — the same day as its official theatrical release.

Other studios followed suit. There were also reports that Paramount struck a deal to debut the Kumail Nanjiani/Issa Rae comedy “The Lovebirds” on Netflix instead of in theaters, but there’s been no announcement or release date yet.

Disney, meanwhile, already brought “Frozen 2” to Disney+ early, then took more aggressive steps for the Pixar film “Onward,” which went on-sale digitally just a few weeks after its release in theaters, and is launching on Disney+ today.

Directed by Kenneth Branagh, “Artemis Fowl” tells the story of a young criminal mastermind of the same name, and it’s based on a series of young adult fantasy novels by Eoin Colfer. It was originally scheduled for release on August 9, 2019, before being delayed until May 29 of this year.

So why not delay it again, as Disney is doing with other films? It may simply be less of a sure bet in theaters than “Mulan,” “Black Widow” or even “Jungle Cruise.”

“Director Kenneth Branagh and his spectacular cast take viewers right into the vibrant, fantasy world of the beloved book, which fans have been waiting to see brought to life onscreen for years,” said Disney+ President of Content and Marketing Ricky Strauss in a statement. “It’s great family entertainment that is the perfect addition to Disney+’s summer lineup.”

#coronavirus, #covid-19, #entertainment, #media, #tc, #the-walt-disney-company

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Using 25% lower bandwidth, Disney+ launches in UK, Ireland, 5 other European countries, France to come online April 7

Disney+, the streaming service from the Walt Disney Company, has been rapidly ramping up in the last several weeks. But while some of that expansion has seen some hiccups, other regions are basically on track. Today, as expected, Disney announced that it is officially launching across 7 markets in Euopre — but doing so using reduced bandwidth given the strain on broadband networks as more people are staying home because of the coronavirus pandemic. From today, it will be live in the UK, Ireland, Germany, Italy, Spain, Austria, and Switzerland; and Disney also reconfirmed the delayed debut in France will be coming online on April 7.

Seven is the operative number here, it seems: it’s the largest multi-country launch so far for the service.

“Launching in seven markets simultaneously marks a new milestone for Disney+,“ said Kevin Mayer, Chairman of Walt Disney Direct-to-Consumer & International, in a statement. “As the streaming home for Disney, Marvel, Pixar, Star Wars, and National Geographic, Disney+ delivers high-quality, optimistic storytelling that fans expect from our brands, now available broadly, conveniently, and permanently on Disney+. We humbly hope that this service can bring some much-needed moments of respite for families during these difficult times.”

Pricing is £5.99/€6.99 per month, or £59.99/€69.99 for an annual subscription. Belgium, the Nordics, and Portugal, will follow in summer 2020.

The service being rolled out will feature 26 Disney+ Originals plus an “extensive collection” of titles (some 500 films, 26 exclusive original movies and series and thousands of TV episodes to start with) from Disney, Pixar, Marvel, Star Wars, National Geographic, and other content producers owned by the entertainment giant, in what has been one of the boldest moves yet from a content company to go head-to-head with OTT streaming services like Netflix, Amazon and Apple.

Caught in the crossfire of Covid-19

The expansion of Disney+ has been caught in the crossfire of world events.

The new service is launching at what has become an unprecedented time for streaming media. Because of the coronavirus pandemic, a lot of of the world is being told to stay home, and many people are turning to their televisions and other screens for diversion and information.

That means huge demand for new services to entertain or distract people who are now sheltering in place. And that has put a huge strain on broadband networks. So, to be a responsible streamer (and to make sure quality is not too impacted), Disney confirmed (as it previously said it would) that it would be launching the service with “lower overall bandwidth utilization by at least 25%.”

There are now dozens of places to get an online video fix, but Disney has a lot of valuable cards in its hand, specifically in the form of a gigantic catalog of famous, premium content, and the facilities to produce significantly more at scale, dwarfing the efforts (valiant or great as they are) from the likes of Netflix, Amazon and Apple .

Titles in the mix debuting today include “The Mandalorian” live-action Star Wars series; a live-action “Lady and the Tramp,” “High School Musical: The Musical: The Series,”; “The World According to Jeff Goldblum” docuseries from National Geographic; “Marvel’s Hero Project,” which celebrates extraordinary kids making a difference in their communities; “Encore!,” executive produced by the multi-talented Kristen Bell; “The Imagineering Story” a 6-part documentary from Emmy and Academy Award-nominated filmmaker Leslie Iwerks and animated short film collections “SparkShorts” and “Forky Asks A Question” from Pixar Animation Studios.

Some 600 episodes of “The Simpsons” is also included (with the latest season 31 coming later this year).

With entire households now being told to stay together and stay inside, we’re seeing a huge amount of pressure being put on to broadband networks and a true test of the multiscreen approach that streaming services have been building over the years.

In this case, you can use all the usuals: mobile phones, streaming media players, smart TVs and gaming consoles to watch the Disney+ service (including Amazon devices, Apple devices, Google devices, LG Smart TVs with webOS, Microsoft’s Xbox Ones, Roku, Samsung Smart TVs and Sony / Sony Interactive Entertainment, with the ability to use four concurrent streams per subscription, or up to 10 devices with unlimited downloads. As you would expect, there is also the ability to set up parental controls and individual profiles.

Carriers with paid-TV services that are also on board so far include Deutsche Telekom, O2 in the UK, Telefonica in Spain, TIM in Italy and Canal+ in France when the country comes online. No BT in the UK, which is too bad for me (sniff). Sky and NOW TV are also on board.

#amazon, #animation, #apple, #austria, #belgium, #broadband, #chairman, #companies, #coronavirus, #covid-19, #deutsche-telekom, #disney, #disney-channel, #e-commerce, #emmy, #entertainment, #europe, #executive, #france, #germany, #google, #internet-television, #ireland, #italy, #kevin-mayer, #lg, #media, #microsoft, #mobile-phones, #national-geographic, #netflix, #pixar, #pixar-animation-studios, #portugal, #roku, #smart-tv, #sony, #spain, #streaming-media, #streaming-media-players, #streaming-services, #switzerland, #telefonica, #the-walt-disney-company, #the-simpsons, #united-kingdom

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Now streaming on Hotstar in India: Disney+

Disney+ has arrived in India — weeks ahead of its scheduled launch date. The American giant revamped Hotstar app and populated the on-demand video streaming service with Disney+ original catalog on Wednesday morning (local time).

Unlike in most other markets such as the U.S., Canada, and Australia; in India, Disney is launching Disney+ through an existing service. As part of its deal with Fox last year, Disney now owns Star India and all of its properties including Hotstar. The company has said that Hotstar, at its peak, had about 300 million monthly active users and 100 million monthly active users.

The service, bundled with Disney+, is currently available at no additional charge to existing Hotstar subscribers — who pay Rs 999 ($14) for a year — though the premium tier carries a new yearly sticker price of Rs 3,588 ($48). (Worth pointing out that earlier the premium tier had a sticker price of about Rs 2,500, though Hotstar has been discounting it at Rs 999.)

In addition to everything Hotstar previously offered — about 4,000 titles — the “Disney+ Hotstar” adds more than a dozen original titles from Disney, including “Diary of a Future President,” “Disney Family Sundays,” “Disney’s Fairy Tale Weddings,” “Encore,” “High School Musical,” “The Mandalorian,” and “The World According to Jeff Goldblum.”

“For our India users we’re bringing the world’s best stories from the best storytellers at Disney, Marvel, Pixar and Star Wars. 200+ movies, 100+ shows and 30+ originals!” the Disney+ Hotstar app’s description says.

A Hotstar spokesperson told TechCrunch that the company will have more to share on Friday. TechCrunch first reported about Disney’s plan to launch Disney+ launch in India. Disney former chief executive Bob Iger said earlier last month that the company will expand Hotstar to Southeast Asia and launch Disney+ in the region through it.

Some users have pointed out that the in-app player is not able to stream some titles seamlessly. And that the titles are available in full-HD (1080P), instead of their native 4K (UHD) resolution. Hotstar in India has yet to add support for 4K.

The early rollout of Disney+Hotstar comes at a rough time for Disney that has received criticism for censoring John Oliver’s “Last Week Tonight” show.

The streaming service, which is the exclusive streaming syndicating partner for HBO, Showtime, and ABC in India, blocked a recent episode of “Last Week Tonight” that was critical of India’s ruling party and its leader, Narendra Modi .

In the most recent episode of the show, Oliver called out Hotstar for censoring his show and said the streaming service had also edited out a few jokes about Disney from some of his recent episodes. The company has yet to comment on the censorship issue.

That aside, India is going to be a key overseas market for Disney+ and one where it already has a perceived lead over rivals Netflix, Apple TV+, Amazon Prime Video and dozens of other services — all of which have lowered their price to win customers in India.

Hotstar has cashed in on the popularity of cricket in the country that has boosted its usage and relevance in the country. Star India has secured broadcasting and streaming rights to most cricket tournaments. In an interview in 2018, James Murdoch, then chief executive of Fox, said, “it’s tough for anyone else in India. They want cricket, but we have left nothing for them.”

Tussle for some of those rights continues.

#amazon, #apps, #asia, #hbo, #hotstar, #james-murdoch, #john-oliver, #media, #narendra-modi, #netflix, #the-walt-disney-company

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John Oliver slams Disney’s Hotstar for censoring his show

John Oliver slammed Disney-owned Hotstar on Sunday for censoring his show, “Last Week Tonight With John Oliver”, in India saying the local streaming service has edited at least three episodes in recent months.

A recent episode of “Last Week Tonight”, in which Oliver criticised the Indian government’s recent policies and its leader, Narendra Modi, never aired on Hotstar, which is the exclusive syndicating partner for most HBO content in India. [The same episode is available unedited on YouTube in India.]

Oliver also referenced an episode of the show from late last year where he had mocked Disney, a segment he said was cleverly edited before streaming in India. And then, another instance in a segment focused on China’s one-child policy in which he again joked that Donald Duck’s penis. That was also edited before going up for streaming in India, Oliver said.

“They cut out a joke about Mickey Mouse being a cocaine addict. Why would they do that? It’s hard to say. But it might be because Hotstar is owned by Disney and they seem extra sensitive to Disney references,” said Oliver.

(As part of its deal with Fox last year, Disney owns Star India, and all its properties, including Hotstar.)

Oliver ended the segment with this advice to Hotstar: “If you think that you have to remove anything that reflects poorly on Disney from this show, I have some bad news for you, my friends. I am fucking Zazu right here. Everything that comes out of this beak is a ‘Disney Fact’,” he said.

“If I say that Cogsworth collects Nazi memorabilia, guess what? That’s canon, baby. That’s a ‘Disney fucking Fact’ right there. And for the foreseeable future, Hotstar, you can look forward to learning a lot more of them on this show because we’re going to be sliding them into our stories like Chip and Dale slid into Richard Gere. That’s right — ‘Disney Fact,’ motherfuckers.”

You can bet your money that this episode will not air unedited on Hotstar tomorrow. And that is just the kind of promotion Disney must be looking for in India right now. Disney+ launches in India, through Hotstar, later this month.

We have reached out to Disney and Hotstar in India — but don’t think they will respond. They never do on such matters.

#apps, #asia, #entertainment, #hotstar, #john-oliver, #mickey-mouse, #narendra-modi, #the-walt-disney-company

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